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FECHA LÍMITE/DEADLINE/SCADENZA: 06/11/2017
FECHA CONGRESO/CONGRESS DATE/DATA CONGRESSO: 05-06-/04/2018
LUGAR/LOCATION/LUOGO: King’s College London (London, England)
ORGANIZADOR/ORGANIZER/ORGANIZZATORE: Kimberly Cassibry (Wellesley College, Massachusetts, USA); S. Rebecca Martin (Boston University, Massachusetts, USA)
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A transcultural history of art goes beyond the principle of additive extension and looks instead at the transformatory processes that constitute art practice through cultural encounters and relationships, whose traces can be followed back to the beginnings of history.
Taking Monica Juneja’s formulation as a starting point, this session seeks case studies that promise to rewrite the histories of ancient Mediterranean objects and buildings that have languished in disciplinary interstices. Rather than debating what does or does not constitute a history of Egyptian, Phoenician, Greek, Roman, Celtic, or Etruscan art – and rather than simply pointing to interconnections (Mediterraneanisation) and mixtures (hybridity) in an effort to sidestep difficulties of classification – we seek new research that consciously transcends these unnecessarily limiting ethno-cultural categories and national archaeological traditions.
With these transcultural and transnational case studies serving as a foundation, the session will aim to conceptualise core principles and methodologies that might be put into practice in writing new histories and with the particular goal of taking a first step toward establishing an open-access journal of Global Ancient Art History. Ultimately, the session will aim to define the parameters and contributions of a global art history of the ancient Mediterranean.