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Craven Seminar. Ancient Mediterranean Painting between “Classical” and “Non-Classical” - 17-18/05/20


Archaeological discoveries over the last 100 years have radically transformed our knowledge and understanding of ancient Mediterranean wall painting, and have shed new light on cultures and societies within and beyond the Classical world. This seminar takes an interdisciplinary approach to ancient painting and places it in a complex sociocultural context which crosses the chronological and geographical boundaries of the Greco-Roman world.


FECHA/DATE/DATA : 17-18/05/2018


LUGAR/LOCATION/LUOGO: Room G.21, Faculty of Classics, University of Cambridge (Cambridge, England)


ORGANIZADOR/ORGANIZER/ORGANIZZATORE: Dr. Tiziana D’Angelo ; Dr. Nigel Spivey

INFO: WEB - td273@cam.ac.uk ; njs11@cam.ac.uk


INSCRIPCIÓN/REGISTRATION/REGISTRAZIONE: Gratis / Free / Gratuito


PROGRAMA/PROGRAM/PROGRAMMA:


Thursday 17 May

9:00-9:30 Coffee and Registration

9:30-9:45 Welcome

Tiziana D’Angelo and Nigel Spivey (University of Cambridge)

Session 1 – Beyond Greek Painting

Chair: Robin Osborne (University of Cambridge)

9:45-10:45 Thinking in concepts: decoration and space in the Aegean Bronze Age

Ute Günkel-Maschek (Heidelberg University / University of Birmingham)

10:45-11:45 Anatolian tomb paintings between East and West

Latife Summerer (Kastamonu University)

11:45-12:00 Coffee Break

12:00-13:00 Reflections of Macedonian painting in Italy

Olga Palagia (National and Kapodistrian University of Athens)

13:00-14:30 Lunch (Darwin College)

Session 2 – Rethinking Classical Painting in Ancient Italy

Chair: Nigel Spivey (University of Cambridge)

14:30-15:30 The Classical style in Etruscan painting

Maurizio Harari (University of Pavia)

15:30-16:30 Classical or magical? The Tomb of the Diver and ancient Greek painting

Gabriel Zuchtriegel (Archaeological Park of Paestum)

16:30-17:00 Coffee Break

17:00-18:00 Dying like a Greek? Hellenism, Romanization and local identity in South Italian funerary painting

Tiziana D’Angelo (University of Cambridge)

19:15 Drinks and Dinner (Emmanuel College – for speakers and chairs)

Friday 18 May

9:00-9:15 Coffee

Session 3 – Images to Ideas / Ideas to Images in Roman Painting

Chair: Andrew Wallace-Hadrill (University of Cambridge)

9:15-10:15 Synkrisis on Pompeian walls: on modes of transmission in Roman painting

Katharina Lorenz (University of Giessen)

10:15-11:15 Ruminations on the ‘real' in Late Roman iconography

Susanna McFadden (Bryn Mawr College)

11:15-11:30 Coffee Break

11:30-12:30 The Pompeian Mosaic of the Philosophers

David Sedley (University of Cambridge)

12:30-13:45 Lunch (Darwin College)

Session 4 – Drawing from Antiquity to Modernity

Chair: Caroline Vout (University of Cambridge)

13:45-14:45 Line(n). Artistic practice and drawing in Mediterranean contexts

Gianfranco Adornato (Scuola Normale Superiore, Pisa)

14:45-15:45 The ‘dreams of painting’: the reception and debate around ancient painting from Raphael to Winckelmann

Adriano Aymonino (University of Buckingham)

15:45-16:00 Concluding remarks

Tiziana D’Angelo and Nigel Spivey (University of Cambridge)

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